Monday, November 12, 2018

October Painting Gallery

October has been a busy month with a exhibitions, commissions and family. I am so glad to share the the 'Coral King' was exhibited and sold at Winchester Annual Exhibition. It was an ambitious work, 36''x24'' acrylics on canvas.

I am posting a few more that I did since my last post.

''Delia'' is the latest Giraffe waiting for a good home. She was painted on waterboard sized A4
Delia -Watercolor on Board, A4

I was trying to get in more detailed background in this painting of two little elephants ready to explore the world, with mom in tow. it was a enjoyable experience.
The Guardian 10x14 watercolor on paper.
SOLD now

Realized that I hadn't painted a baby Zebra so goes a little one in watercolor.
Baby Zoey 10x14

 These two monkeys were painted sometime in last couple of months. Lately I have been into apes. chimps and monkeys! I added the darker background as an afterthought but it looks nice against their pale fur.
14x10, Available

This is Luna. She was painted last month and was very quick to find a home! She was in fact, claimed the very next day I put her up for sale. 

Same goes for Larry; a repeat buyer fell in love with him as soon as she spotted him!


Glo was painted very loosely on winsor and newton cold pressed paper. This is a paper I have been enjoying lately.  
Glo. watercolor on paper, A4

Snowy was sold very quickly, now on its way to the USA
I hope you enjoyed browsing through this little gallery. Have a great week!

Monday, September 17, 2018

Still Life Step by Step

When I decided to paint this mixer I was well outside my comfort zone - Still life is not usually my thing- but it turned out so well, it makes me want to smile every time I look at it! Luckily I had taken pictures through out my process so I can outline the process for those interested.
'Mix it Up'
Acrylic on Canvas 16x16 in

1. Started with very thin base coat of burnt sienna and here I have added a little background in neutral hues.

2. Some more blocking in and establishing the color tones.

3.This painting is all about RED and I intend to make it pop out! Keeping it loose, not going in too much detail.

4. Working on the reflection in the metal and completing the next coat.

5. I think the mixer whip dripping cream is the focal point of this painting, so working on it now, just loosely.

Final Painting

As you can see, I have not fussed about the details in this painting, the broad strokes add a bit of drama to it. I hope you like what you see and the process pictures are helpful.I am more than happy to answer any questions!
This is going to be a part of my upcoming exhibition in Basingstoke Willis Museum which starts 22nd September and runs till 27th October.

Thursday, September 13, 2018

Painting for Relaxation - An Artist's Diary

Being an artist means you love what you do so you never want to turn away from your 'work' even when the day comes to an end.When I feel drained after finishing a rather complex work, I usually draw or paint another quick, expressive one to unwind and to recharge my batteries.The exhilaration that follows is unlike any other buzz! I would sketch, doodle or just throw some color around; before I hit the sheets.The best de-stressor for us artists, I would say.
This is the one I did to unwind yesterday, though it is a bit more than that- I got carried away and turned it into a finished piece, complete with all the bells and whistles :)  Elephants are irresistible..

Blue Ellen
A4 Watercolor on Paper

Wednesday, September 12, 2018

Farmer and His Tractor Watercolor

I had been raking my brains over how to paint a machine that I could actually enjoy painting. I usually like to paint only living, moving and breathing subjects as you know :) but since 'Machinery' is the theme for our next exhibition, there was no escaping it this time.
So here I am, first painting done (I hope I can paint another one before the deadline) I have cheated a bit by including a man in it ..I hope the selectors won't mind!
Would love to hear what do you think.
Here are a few pictures I took while the painting was in progress. Its just a little glimpse into my process.
Started with the Tractor, keeping it fluid...

Add more color , block in the Farmer..My son later told me I shouldn't have painted the farmer's T-shirt blue as it clashes with tractor's color.I thought he was right and toned it down with a bit of grey later.

More details added to the front tyre. I hate painting perfect geometrical shapes :(

Adding shadows /deepening the colors.The farmer's face is too small to have many details- I had to add a tree behind him so his face is visible, at least.

Farmer and his Tractor
10x14  watercolor

Here is the final image. I have left the details in the tractor's engine area obscure as I didn't want to spoil that feeling of fluidity.
Materials Used: Arches cold pressed paper block 
Colors Used: Winsor and Newton, Daniel Smith paints:Cerulean Blue, Manganese blue, burnt orange, yellow Ochre, French Ultra. Blue, Permanent Magenta, Payne's Grey.
I hope you enjoyed this post. Have a great day.
My new website is up and running if you wish to take a look and/or join my mailing list.

Friday, September 7, 2018

Yellow Truck in watercolor

While we are at the stage when experiment is the key word, here is a Yellow Truck. I painted it very loosely, telling myself not to fiddle too much and just play around with color and texture.The paper was Two Rivers, a highly textured British paper that had bee lying around for months as I contemplated over what to do with it!
Well there was a reason I chose this truck; I need to get ready to my upcoming exhibition in Basingstoke late this month which has a theme 'Machines'. I usually shy away from machines, don't like them very much- but this time I couldn't get away.So here I am, trying to be creative by finding something to paint  that qualifies as a 'machine' but still fun to paint!
Any Ideas as welcome :)
Reference picture courtesy Pixabay.

Yellow Truck
18''x14''/ Watercolor on heavy paper

Thursday, August 30, 2018

Little Boy on the Beach

 I have been painting animals fairly regularly now, sometimes painting humans is a nice change. I saw this little guy on a Bournemouth beach this summer.It was a hot, sunny day and I snapped a lot of pictures of people enjoying the seaside; with intention to paint them some day.This fellow made to the top of the list! He looks so adorable with his curly brown hair and dark blue shorts.
Boy on Beach 
Watercolor on Arches paper

Thursday, August 23, 2018

Panda Parade

After a busy summer of entertaining guests and family I finally got my colors out today and it felt so good! Dipping my toes in, I painted two loose portraits of my old favorites- Panda Bears. Somehow a mix of deep violet, midnight blue and Payne's grey look best on panda fur. A dash of burnt orange adds some drama. For these paintings there was no messing about, just clean, quick execution with a medium sized brush and a lot of water.I am happy with the way these two turned out :)

Dudley (A4 )

Paddy ( A4)
Watercolor on Winsor and Newton CP paper

Friday, July 27, 2018

Oil Painting_ Snow Leopard

I was introduced to oils when I was in my teens and painted quite a few piece in ensuing years.When I moved to the UK I didn't have the studio space anymore as we lived in a rented apartment; and I had to abandon oil painting altogether. In want of a less demanding medium I turned to watercolor and I loved it so much that I worked exclusively in watercolor for next six years; producing a huge body of work.
Since the start of this year I have been itching to do things a bit differently. May be produce some larger pieces with more detail. It took a sometime to gather courage to start painting in oils again. I dipped my toes first by trying out acrylics.Acrylics are nice to work with as they come with no strings attached - you plan, you paint, you varnish and you are done.
Oils, on the other hand are much more demanding.You need to consider the technique,the material, the mediums and, most important- the finishing. On positive side, you paint in oils because they allow you to blend and add detail which is almost impossible with acrylics.They appear richer,too.

So, here goes a painting that I have finished recently.I might have overworked it a bit - which was not the plan but hey, it was a first oil painting after so many years!

Snow Leopard (unnamed  yet)
Oil on Canvas

Tuesday, July 10, 2018

More fun with Acrylics _ Cow Shed

Must confess that the quality of canvas does matter. I painted two similar style paintings on similar sized canvases bought separately. The difference was quite obvious.One had smooth and rounded edge( I bought these online, Quantum Arts /Deep edge) and the finish was definitely superior and luxurious compared to the other...though I don't remember them being priced too far apart. It even felt smoother when painting on it.Recently bought another batch to try with oils. Looks rich, I will post the result very soon.
As for these cows, I decided to use a neutral background. Two of the herd have found a home together; rest are still waiting :)

Curious Cow_Stella
8x8 SOLD

Curious Cow_ Tia
8x8 Available
Acrylic on Canvas, ready to hang

Curious Cow_Gia
8x8 Available
Acrylic on Canvas, ready to hang

Curious Cow _ MArcella
Acrylic on Canvas, ready to hang

Sunday, May 27, 2018

Working with acrylics

 Being a water colorist for many years, its hard to switch over to a medium like acrylic especially when you like so much to work with fluidity. Before I go any further, let me clear- I am not switching over to acrylics, watercolor is still my first love. Its just that you have to challenge yourself and test your limits sometimes.
My first acrylic was a disaster, I hated the medium as it felt so dry! My initial thought was -  'forget it, its not for me'. But after persisting with it some more, (with a few more paintings trashed) I am slowly getting the hang of it. I have now learnt that strokes will start to feel smooth once I have built up initial layers ( the hard part!). An extra layer of gesso should help, too.
I am still struggling with details and fine brushes- it is so much easier just to reach for a big brush or a palette knife- but I am sticking with detail - at least for now- do a few more paintings and see how far can I go.

This is Harold, my last acrylic in canvas. I spent about five to six days to build all those gorgeous lock- but he is so lucky to have found a loving home even before the varnish was dry! He is on his way to Michigan right now, to the home of my childhood buddy whose husband bought it.

12x16 acrylic on canvas

In my newest effort still on easel, I will be trying out acrylics on a surface covered with watercolor ground.Stay tuned to see how it turns out!

Tuesday, May 22, 2018

Pencil Sketch_ Owl

A few pieces of paper in A6 size had been lying around and I decided to make use of them! Its quite a small size so not many details in this drawing but I am happy with this little guy! I have used mechanical .5 pencil on smooth paper.

Friday, May 18, 2018

Pencil Sketch

Sketching is so therapeutic, I can easily get lost in it.Started this sketch at about 11 pm last night intending it to be a quick study.It ended up a detailed sketch instead as I did not want to stop! This is Sid, a Basingstoke man I met in town last week.He was happy to pose for a picture- it was a transport festival and he was leaning on his blue tractor.I am thinking of converting into a painting later with tractor and all!
B and 2B Pencil on Strathmore paper

Thursday, April 12, 2018

Zebra Art

Some Zebra paintings that I have done in past few weeks, hope you enjoy.

      Becky the Young Zebra
10x14 Available,contact me for details.                         This one has been SOLD already                                                                   

This is Xander, a larger painting  about 24x20 inch
Watercolor on Arches cold pressed paper
Available, contact me for details.   

This one is my attempt at acrylic, took me a long time to create!
KEN acrylic on canvas 20x24 inch 
Available, contact me for details.  

Wednesday, February 28, 2018

Roosters in Watercolours

''Sylvie'' 12''x16''
Watercolour on Arches CP Paper

Ms Maran
Some more chickens... still struggling to decide how much detail I need! The top one was painted with a loose hand, wet-in-wet and with salt texture.The chicken at the bottom was a Maran that have a distinctive speckled plumage. I took a different approach with this one and painted with a very fine brush.The result was alright and it was also Sold instantly; but I must say that fine detail is not what I enjoy. Loose and wet is what I prefer.

Thursday, February 15, 2018

Elephant in Acrylics

Acrylics are a relatively new medium to me.While watercolour painting allows me to mix my colours on paper, letting them run and find their own space on the surface; painting in acrylic is totally different - a brush mark stays strictly where you put it! I don't fancy painting every hair or every cell of the body-- though I am in awe of those who can do it-- so I really needed to find a way to mix my colours on canvas. This is what I came up with, using brush strokes of different colours to create an impression of colours merging into each other, blurring the boundaries.I think it gives the painting a fragmented look which I sort of like.
Spent too many days on this one, now I am feeling the usual pain in the neck which means I won't be able to paint for a few days.How I wish I could paint 24x7!

Coral King
Acrylic on Stretched Canvas

Monday, February 5, 2018

Pheasant Watercolour Painting

Loving these colourful birds.They are not unlike roosters to me as far as painting goes; wild colours, lovely tails and  brilliant colour in neck.Here is another one
Watercolour on Paper

Wednesday, January 17, 2018


''Patrick Blue''  / SOLD
This was the first one I painted after a long gap due to a bad case of flu.
Someone actually asked me to paint a pheasant after viewing a previous Pheasant painting-which was sold out. They had a pheasant visiting their backyard whom they had named 'Patrick'! Intrigued by the story, I painted this one on the night of 15th.Next day I put it up for sale on Art Finder and sent a message to the person that another 'Patrick' was available. Unfortunately for them the new 'Patrick' was quickly lapped up again by another buyer even before that mail was read! 
Lesson - Pheasants do fly quickly :D

Wednesday, January 10, 2018

My new year has started on a rather uninspiring note. First to go down with Flu was my other half; then it was my turn and even before I could recover- my son caught it too. It feels like ages since I have accomplish anything, other than dragging myself out of bed everyday. Wish every one a safe, happy and healthy beginning. Hoping to get better and start painting soon !

Wednesday, January 3, 2018

Wet in wet Watercolour Panda Painting Part 1

After a few failed attempts and a lot of time spent on getting it right; here is my first video of my painting process. I use many painting techniques but 'wet in wet' is something I really like-with colours running on paper to find their own space. This painting was done on Arches cold pressed paper (300 gsm) using Daniel Smith paints AND a lot of water!
I have been having issues with dark and cloudy days for past week; the lamp just wan't working for me; producing a flickering effect in the video. Fortunately the sun came out for a couple of hours this morning allowing me to record this painting. The video is not technically perfect- I still need time to polish my editing skills- but I hope its useful for some people. I have broken the recording down to a few clips. This is the first one with some more to follow.
I am not saying this is the way it should be done, this is just the way I like to paint my Pandas! Enjoy.

Any questions are welcome.

Tuesday, January 2, 2018

New Beginings

Christmas and New Year is not a very productive time for us artists.Family commitments and festivities take up all our time, leaving very little scope for painting or even blogging. Still, I have not been completely off grid- I have been spending my spare time on things that are equally important but get pushed back usually in favour of painting! I am talking about things like website management, communication, setting up emails and newsfeed; plus all important- learning to make videos of my process. Videos have been on my mind for a long time. People have asked me again and again if I did tutorials and I always said 'not yet, but may be in future...'! It seemed a bit intimidating and frankly speaking, I did not know how was I going to record myself ! Recently I decided to take the plunge and bought myself a tripod.Only then I realised that recording myself was actually the easiest part! Now I needed to figure out which software was easiest to use for editing, and how to obtain it.Most free software come with hideous watermarks - you only realise it after you have downloaded the damn thing and gone through the setup. After doing this step multiple times I finally was able to zero in on Videopad .Then there were compatibility issues, compression issues, optimisation and of course, learning to use the tools to do actual editing.
I have now spent countless hours on this and still haven't come up with anything that is even remotely presentable. I will keep working on it till I get it right but I wonder if any of you do it and have any tips for me.
The daylight is quite poor these days and this might be affecting the quality.My daylight lamp gives out a strange flickering light when I watch the footage on screen. I think I need to put off the recording until there is decent daylight.

In between these tasks I managed to sneak in this little giraffe last evening .It was very spontaneous- I let my hand takeover  my mind, working without thinking about it. Very light and breezy, lots and lots of water and very few colours.Hope you enjoy this.